Archive for February, 2009

Pentax Runs Out of Ideas

Saturday, February 28th, 2009

This is not an official headline but that is what it seems like after the released a white version of their very-entry-level DSLR, the Pentax K2000D. Already the K2000D – in black or white – is a departure from Pentax’ previous strategy for DSLR cameras. Until the K2000D, as one of the smaller camera makers, Pentax provided more feature-rich cameras than similarly priced competitors. The height of this was the K200D which sells for under $600 and features a weather-sealed body. The K200D is a tiny DSLR with a stabilized 10 megapixels sensor, a 2.7″ LCD and 5-point autofocus system. The only exceptional feature of the K2000D is its battery-life up to 1650 shots using 4 AAs. Among their higher-end models, Pentax has the best viewfinders for several years. When the Nikon D300 and Olympus E-3 came out just a few months apart, they made 100% coverage viewfinders much more affordable. Pentax has yet to follow.

Hopefully Pentaxians will see a K30D and K300D before the end of the year. These two models could bring new features which are not really needed by anyone – as the K200D and K20D are fantastic cameras already – to appease marketing requirements and improve product perception. Seriously though, there are probably ways DSLR companies, including Pentax, could innovate with useful features as well. I would really not be displeased if Pentax came out with identical-bodies cameras similar to the K20D but with different sensors: one keep-up-with-the-megapixels model and an ultra-high-ISO cropped sensor DSLR with low megapixels count, say ISO 25600 at 6 megapixels. Another problem to tackle would be dynamic range, at least to give a competitor to the Fuji Finepix S5 Pro.

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PMA 2009 Soon

Saturday, February 28th, 2009

PMA 2009 is starting in a just a few days. Although I’ll be away when it happens from March 3rd to 5th, there are already numerous digital camera announcements for it from nearly every manufacturer. Certainly there will be more product launches before its over, hopefully with some really interesting developments.

While there are new and replacement models of cameras being unveiled, some trends we like more than others:

  • Wide-angle continues to become increasingly common. Nearly all companies offer ultra-compacts starting at 28mm, with Panasonic going as ultra-wide as 24mm. Ultra-zooms now commonly start in the 26mm range. Even compact ultra-zooms such as the 12 megapixels Canon SX200 IS with its 12X optical zoom (28 to 336mm) now offer wide-angle lenses. Given that it also features 720p HD video recording and full-manual controls, the SX200 is bound to be popular.
  • More waterproof and rugged digital cameras make their appearance. Olympus now has competition for its Stylus Tough range. Although they are still unmatched in terms of ruggedness, Canon and Fuji have introduced the Powershot D10 and Z33 respectively. The Canon D10 particularly is waterproof to 10 meters, just like the Olympus Tough 8000. While other tough cameras use folded optics, the D10 has a protruding lens housed in a rugged casing which features special attachment points for increased versatility.
  • HD video is becoming mainstream. No less than 15 digital cameras with 720p HD video capability were announced during the last two months. There is still room to go to 1080p, but the jump from VGA (640×480) to 720p (1280×720) is significant, with the latter having 3 times more pixels.
  • Fuji is still trying to solve problems using innovative sensor designs. While nearly everyone else uses a standard pixel grid with Bayer color-filter, Fuji’s new SuperCCD EXR promises to deliver high image details, low-noise or expanded dynamic range, based on different readout methods. They presently have a monopoly on low-noise high-ISO ultra-compacts and they have been working on expanded dynamic range for quite some time now. The first camera to use the SuperCCD EXR is the Fuji Finepix F200 EXR scheduled to ship in a few weeks.
Trends we dislike:
  • Dumbing-down of features. Follow up models are removing features compared to their predecessors. New Canon Powershot A-series, for example, no longer feature full manual-controls. As an effort, this pushes amateurs to buy more expensive models but leaves less choice of form-factor and focal-length combinations.
  • Change to be different or newer. Certain body-design have worked for a long time but manufacturers are rearranging buttons and menus in a bid to create a new look at the expense of usability. The same goes for ultra-compacts having huge screens and no place to hold them comfortably.
  • Touch-screens. It may work for phones, but not seeing your image clearly because of fingerprints showing up on the LCD is bad.
  • Half-baked live-view. It can be extremely useful if well implemented but camera makers keep getting it wrong. Live-view has to show 100% coverage of your subject and accurately show exposure, white-balance and focus. The Canon Rebel XSi pulls this off, while being slow at autofocus, but the recently reviewed Nikon D90 cannot keep an accurate preview under most circumstances. With the new Olympus E-620, they coined a new term “Perfect Shot Preview” to describe accurate live-view. The way I see it, inaccurate live-view is just a way to get compact-camera battery-life out of a DSLR!
Useful things we would like to see:
  • More 100% coverage viewfinders in upper mid-range DSLR cameras. Nikon and Olympus already have the D300 and E3 with 100% coverage under $2000. Can Pentax, Canon and Sony follow? At least Sony has the only full-frame DSLR with 100% coverage and built-in stabilization.
  • Virtual horizon/level. A very useful feature introduced by the Nikon D3 that shows if a picture is level. This beats using a spirit-level in the hot-shoe because you can see a tilt-meter in the viewfinder. Pentax could go one further on this by rotating the sensor to keep it level since they already do that for their Shake-Reduction system.
  • Manual controls in more small cameras with wide-angle lenses. The Panasonic Lumix DMC-LX3 is a great example of a portable companion camera for a photographer when he cannot or does not want to carry his DSLR.
  • More ultra-wide zoom lenses for 1.5X or 1.6X crop sensors. Nikon has the Nikkor 14-24 F2.8 for full-frame cameras and Olympus has the Zuiko 7-14 F4 for Four-Third cameras. There is the Tokina 11-16mm F2.8 but it is not as wide (in terms of view-angle), plus it is not available in Pentax mount although it is made by the same company (Hoya owns both Pentax and Tokina).
  • Interchangeable-lens cameras with high-quality EVF showing accurate live-preview. The Panasonic Lumix DMC-G1 started this category. We hope to see more of these, with different form factors and lens choices.
  • Glow-in-the-dark button labels. It possibly would add less than $1 of cost to a camera but make it so much more usable for night-photography.
  • More cameras using AA batteries. These are great, cheap, versatile and they keep getting more powerful. It can be done for DSLR cameras too, as Pentax shows with the K200D and K2000D.
  • More dynamic range and standard 16-bit image files. Not only do we need to capture more dynamic range but we also need to store it in a standard universally readable image file-format. Something like 16-bit PNG for now and perhaps 16-bit losslessly compressed JPEG2000 when that becomes readable by most software

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Nikon D90 Full-Review Published

Friday, February 20th, 2009

A full-review of the Nikon D90, the first DSLR ever to shoot video, was just published on Neocamera. There are now two DSLR cameras shooting video, the just-reviewed D90 and the Canon EOS 5D Mark II. Aside from shooting video, these are very different cameras. The full-frame 5D Mark II costs 3 times more but shoots high-resolution 1080p (1920×1080 @ 30 FPS) video compared to the D90’s 720p (1280×720 @ 24 FPS).

The Nikon D90 is a 12 megapixels DSLR with a 4.5 FPS continuous drive and expanded ISO range of 100 to 6400. It represents the mid-range of Nikon’s cameras between the much-simpler D60 and more-rugged and customizable D300. Clearly, the nearly unique ability to shoot video is the main attraction, as it gives the possibility of having a DSLR to shoot both stills and video. Due to limited video features, described in the full-review in more details, the D90 is not equivalent to a digital camcorder but it does have unique abilities.

For those than like the high quality images and the occasional video, as opposed to dedicated videographers, the Nikon D90 may be the answer. Photographers not interested in video should not discard the D90 just because it can, as this is still a capable Nikon DSLR with good all-around performance.

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Canon Powershot E1 Full-Review Posted

Wednesday, February 4th, 2009

The full-review of the Canon Powershot E1 was just posted on Neocamera. This compact point-and-shoot digital camera is the first member of the Powershot E-series. This new camera features an intuitive and easy to use interface that even manages to improve on Canon’s A-series in that respect. Unlike the point-and-shoot SD-series of ultra-compacts, the E1 features a proper grip and a good number of external controls.

Nikon Launches 8 New Cameras Including New Flagship

Tuesday, February 3rd, 2009

Today Nikon has unveiled 8 new Coolpix cameras with a new flagship for its performance series and a new relatively compact ultra-zoom for its life series.

At the top end, the success to the Nikon Coolpix P80 Neocamera reviewed last year is the Nikon Coolpix P90. This 12 megapixels ultra-zoom features a very wide 24X optical zoom lens with image stabilization and full manual controls. With a focal length range equivalent to 26-624mm in 35mm terms, the Coolpix P90 can reach any subject and take wide landscape and architecture shots as well. For capturing action, this digital camera has a wide-aspect 2 megapixels 15 FPS continuous shooting mode, similar to HDTV. Just like the P80 before it, the P90 is molded as a miniature SLR with a deep hand-grip and a protruding electronic viewfinder for added hand-holding comfort and stability.

The already existing L-series was also expanded to feature Nikon’s first compact ultra-zoom, the 10 megapixels Coolpix L100. Unlike most compact ultra-zooms, the L100 is equipped with a wide-angle 15X optical zoom lens, equivalent to 28-420mm in 35mm terms. Its lens also features image stabilization and 1cm (0.4″) macro mode, for close and far photography. The Nikon Coolpix L100 also features a high-speed continuous drive mode, this time at 13 FPS and a standard (4:3) aspect 3 megapixels resolution. This ultra-zoom is powered by readily available AA batteries for extra convenience.

The L-series also welcomes two new additions, the Coolpix L20 and Coolpix L19. Both these compacts feature point-and-shoot operation with a 3.6X wide-angle optical zoom lens. The L20 has a 10 megapixels sensor and 3″ LCD, while the L19 has a 8 megapixels sensor and a 2.7″ LCD.

The final additions of the day are members of the slim S-series, available in a wide-variety of interesting colors from a product photography point of view. The Nikon Coolpix S630, pictured in a lovely purple here, features a 12 megapixels sensor and a 7X stabilized optical zoom lens. Such a relatively long zoom range is rare among ultra-compact cameras without using folded optics which often reduce optical quality. Like all S-series Coolpix digital cameras, this one is purely point-and-shoot.

The Coolpix S620 features a wide-angle 4X optical zoom lens and a 12 megapixels sensor. The S230 and S220 are new 10 megapixels models with a minimal 3X optical zoom lens. While the S230 has a 3″ touch-screen LCD, the S220 has a 2.5″ standard (non-touch) LCD.