Archive for September, 2008

Canon Launches Another G-series Powershot

Thursday, September 18th, 2008

Yesterday’s announcements from Canon included one for the new G-series flagship, the Powershot G10. This 15 megapixels digital camera (well 14.7 mp, but who’s counting), features a 5X wide-angle optical zoom equivalent to 28-140mm, a 3″ LCD with 460k pixels, plus most features from its predecessor, the Powershot G9. Notably absent from the G10 is an outstanding movie-mode. Although I personally prefer the new wide-angle lens, some will argue that it is a step back from the 6X, 35-210mm, optical zoom of the G9. Neither is truly better, it only depends on your subjects.

The G-series Powershot cameras represent advanced compact models with added external controls and above-average build quality with a few less common features added for good measure. Particularly, the presence of a hot-shoe and RAW capture are directed at advanced photographers. At the same time, the most recent G-series models were always released with the top marketing numbers in their class. The G10 continues this tradition with the most megapixels and widest zoom among Canon fixed-lens cameras. Arguably the higher megapixels count is a double-edged sword and, until a thorough review gets published, we will not know if Canon has managed to counteract the effects of small pixels using advancements in sensor design and noise reduction.

Since the G-series targets a relatively small market, it finds itself with little competition, allowing Canon to set a high-price for technology which is not really advanced. For example, the G9 and the lower-cost A650 share the same senor and lens. The A650 even had superior battery life, the advantage of using standard AA batteries and better ergonomics. The G9 was basically left with a larger more sturdy LCD, higher resolution movie mode, a few more external controls and a hot-shoe. Some users even prefer the A650’s LCD because it is movable. This time, Canon shared the same sensor with the ultra-compact Powershot SD990 IS which does not compete in terms of features with the G10. The 5X wide-angle optical zoom lens is still unique among Canon cameras.

Competition from other manufacturers is quite interesting. The G10 faces the Panasonic Lumix DMC-LX3, the Nikon Coolpix P6000, the Sigma DP1and some models from Ricoh, like the Caplio GX200. The Panasonic and Ricoh cameras are characterized by wider lenses, both starting at 24mm. The LX3’s lens is also a full stop brighter at its widest and more at its maximum zoom. The Sigma DP1 is unique in its use of a relatively large and low-resolution Foveon sensor which delivers full-color at each pixel. As a consequence, the DP1 features a fixed 28mm F4 lens. This provides superior image quality among compact digital camera at the expense of framing flexibility. The Nikon P6000 actually has the most similar feature set with a 28-112mm lens, 13.5 megapixels sensor, hot-shoe and RAW mode. Its unique trick however is a built-in GPS for automatic geo-tagging of images.

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Canon Launches New Flagship Ultra-Zoom

Wednesday, September 17th, 2008

Another exciting announcement from Canon is the launch of the Canon Powershot SX10 IS. This 10 megapixels ultra-zoom fixed-lens digital camera features a 20X stabilized optical zoom lens, matching the zoom-ratio of the Olympus SP-570 with a slightly narrower field-of-view, 28-560mm vs 26-520mm. Like most current ultra-zooms, the SX10 IS provides full-manual controls, VGA-resolution and movie-recording. As the successor of the Powershot S5 IS, this new ultra-zoom keeps zero-distance macro focusing, stereo-sound audio recording and use of standard AA batteries.

Simultaneously, Canon announced in Japan the Powershot SX1 IS which is a CMOS version of the SX10 IS. This alternate ultra-zoom keeps the same stabilized 20X optical zoom lens and full-manual controls but adds 4 FPS continuous shooting and 1080p HD movie-recording. It is perplexing to see that this seemingly superior ultra-zoom features a smaller and lower-resolution viewfinder.

Readers will wonder why the Canon Powershot SX1 IS is not being launched simultaneously in North America. Truly, I am wondering this too but there are easy guess as to why. The first possibility is a supply issue, the compact CMOS sensor required by the SX1 is one-of-a-kind and Canon may not be ready to produce it in adequate quantities initially. The second possibility is to use the Japanese market as testing platform. Japanese buyers are known to be early adopters and not mind as much trying on new products despite their quirks. In either case, the SX1 or a variant of it should probably be available worldwide shortly.

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World First Full-Frame DSLR with Movie Recording

Wednesday, September 17th, 2008

Today, Canon introduced the world’s first full-frame DSLR with movie-mode, the EOS 5D Mark II. This 21 megapixels DSLR is a relatively compact full-frame to replace the aging 5D and compete with this year’s full-frame models from Nikon and Sony, the D700 and A900 respectively. Note that because the 5D Mark II features a full-frame sensor, it does not compete directly with the recently announced Nikon D90 which is the only other DSLR to record movies.

Headline features of the 5D Mark II undoubtedly include its 21 megapixels full-frame sensor and its 1080p HD movie-recording mode. Plus, this DSLR features ISO 50-25600, 4 FPS continuous shooting, the latest 3″ 920k pixels LCD, a bright 98% coverage viewfinder, a weatherproof body, live-view, built-in dust reduction, a microphone input connector and HDMI output.

Recently announced DSLR cameras from Canon, Nikon and Sony show that times are getting quite interesting. Although there is still competition in terms of megapixels, frames-per-second and ISO limits, we are now seeing more widely differentiated products. Particularly, Canon has the only full-frame DSLR with movie-mode  and Nikon has the only cropped-sensor (1.5X FLM) with movie mode. The former records at 1080p, the highest HD resolution, and the latter records at 720p which is a lower-resolution which still qualifies as HD. Sony on the other hand does not have a movie-capable DSLR but has the highest resolution DSLR and the only full-frame one to feature built-in stabilization. So, while there exists stabilization, a 100% coverage viewfinder, movie-mode and live-view, among full-frame DSLRs, you can get at most 2 of these features in a single camera. Choose wisely!

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SD-HC Still Annoying

Sunday, September 14th, 2008

SD-HC is now the cheapest form of flash memory card. It stands for Secure Digital High Capacity because it has exactly the same form factor as Secure Digital (SD) but enables higher capacities. While nearly all SD cards are limited to 2 GB of capacity, SD-HC currently go to 32 GB. Since the cost-per-gig of flash memory is so low now, most stores stock much more SD-HC memory cards than SD cards. Knowing that you can buy a 4 GB SD-HC card from a reputable brand with a lifetime warranty for under $10 USB, most buyers do not even look at lower-capacity SD cards.

Despite being cheap and easily available, SD-HC cards are far behind SD cards in terms of compatibility. While most recent digital cameras themselves support SD-HC cards (unless they support Compact Flash, Memory Sticks or xD), compatible devices are rare. Take laptops for instance, most models sold come with a built-in SD slot, alas none that I know of has an SD-HC slot yet. As a matter of fact, I bought 4 laptops (not for me) in the last month and all had SD slots. The 3 other laptops I have access to also have SD slots which are not compatible with SD-HC cards.

By now, most people know that transferring images from a digital camera to a computer is the least efficient when connecting the camera directly to the computer. Not only can this be considerably slower, it uses the battery’s own power to do the transfer unless an AC/DC adapter is used. Well, since most – if not all – built-in slots only accept SD, you need a flash-reader add-on to avoid using the camera to transfer images.

Guess what then? Most flash-readers are not compatible with SD-HC cards either, particularly multi-card readers. At this time, I only found a handful of such readers. Luckily, some SD-HC card manufacturers sell SD-HC cards with a reader. These are only SD-HC readers, which are obviously compatible with SD cards, but if we use other types of flash memory, you get to keep one more reader than you had before.

Now, suppose you like to bypass the computer step and send you pictures directly to either a printer, a digital photo kiosk or a direct flash-to-optical burner. In any such case, you need to get lucky. Are there any printers or all-in-ones with built-in SD-HC slots? Not yet. Are there any digital photo kiosks which accept SD-HC cards? Maybe, but I’ve never seen one. Are there any direct burners with SD-HC slots? Nope. What about these very popular digital photo-frames? Never seen one with SD-HC either.

The easiest solution is to not buy any SD-HC cards until compatible devices catch up. To procure lower-cost SD cards, there are many sellers which sell packs of 2 or 4 SD cards to provide higher total capacity without any of the SD-HC headaches. Another solution to the computer-compatibility problem is to get a SD-HC Plus card from Sandisk. These cards fold to reveal a USB connector which can then be connected without a reader directly to a computer’s USB port.

The missing devices are sure to appear eventually because those built-in SD slots may not be very useful for long. As you find SD-HC compatible laptops, photo-frames, direct-burners, photo-printers, all-in-ones, etc, feel free to pass the word along by adding a comment to this post.

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Sony Introduces Highest Resolution Full-Frame DSLR

Tuesday, September 9th, 2008

Just today Sony introduced their first full-frame DSLR camera, the Sony Alpha A900. This high end camera boasts a number of outstanding features and world’s first. The Sony A900 is now the highest resolution DSLR available, full-frame or not, with a 24.6 megapixels sensor capable of sensitivities from ISO 100 to 6400 at the maximum resolution. This full-frame DSLR can shoot continuously at 5 FPS, making it also the highest throughput DSLR in terms of megapixels per seconds. The Sony Alpha A900 boats all of the following unique characteristics:

  • World’s only full-frame DSLR with built-in image stabilization. Sony claims an advantage between 2.5 and 4 stops over hand-holding.
  • World’s only relatively compact, with no integrated vertical grip that is, full-frame DSLR with a 100% coverage viewfinder.
  • Worlds smallest full-frame DSLR, achieved using a parallel movement mirror-mechanism.
  • Unique digital preview for adjustment simulation.
  • Dynamic Range Optimizer (DRO) in Sony full-frame.
  • The second largest viewfinder available, just behind the Canon EOS 1Ds Mark III.

This new flagship DSLR marks Sony’s entry into the truly high-end photography market, something which was certainly expected of Sony since they have often produced high-end devices for other markets. By building the Alpha brand upwards, Sony has had time to fill-up its lineup of lenses and accessories, something which is essential for professional photographers. Speaking of which, Sony is also introducing two new full-frame coverage lenses, the 16-35 F2.8 and 70-400 F4-5.6.

Unusual of Sony is that the Alpha A900 is being introduced at an aggressive price-point of $3000. The only other similarly priced full-frame DSLR cameras have half its resolution and neither feature built-in stabilization nor 100% coverage viewfinders. Despite the newly launched lenses, the A900’s biggest handicaps remains a relatively thin lens lineup, at least compared to both other companies with full-frame DSLRs, Canon and Nikon. The Sony Alpha A900 is due in stores next month. It can also be pre-ordered from Amazon directly.

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