Archive for April, 2007

Is there a stabilized camera in the house?

Sunday, April 29th, 2007

Neocamera just published its Image Stabilization Shootout among the Sony Cybershot DSC-H9, the Pentax K10D, the Panasonic DMC-FX30 and the Konica-Minolta Dimage A2. It is a short feature to see what can be achieved with true image stabilization.

With increased megapixels, and therefore generally increasing noise levels, stabilization has become a big selling point among digital cameras. Many people are now simply looking for a stabilized camera. That is why nearly every company has added stabilization to several of its models. The only company to justifiably not include image stabilization is Fuji which produces very low-noise image sensors, thereby gaining a few stops of usable sensitivity relative to its competitors. Other companies now simply claim to have stabilization by including a mode which boosts ISO automatically, but these modes can degrade image quality significantly.

Pentax K10D Firmware 1.2 – Hidden Changes?

Thursday, April 26th, 2007

Earlier today, Pentax released firmware version 1.2 for the K10D. According to their website, only one change is listed:

  • Correspond to PENTAX REMOTE Assistant 3

This change coincides with the release of the Pentax Remote Assistant 3. This adds interesting capabilities to the K10D including a post-shot preview on a computer screen. Although the software only allows two sizes for the preview window: small and tiny. The larger of the two sizes is available by selecting Separate screen display under the view menu. On a small laptop, the smaller size is not very different from the K10D’s LCD. Why no window in that software can be resized is a mystery.

There is the possibility that Pentax has included more changes it the 1.2 firmware, as hinted by the manual they ship with recent lenses. Here is an extract from page 8:

Pentax Lens Manual - Page 8

Fine Art Photography | Neoluminance

Saturday, April 21st, 2007
Neoluminance

Digital cameras are not only a great subject for a website, they are also great tools for photography! With that in mind, Neoluminance has recently been launched to showcase such photography.

There are various ways to learn about photography. These include formal studies, reading on the suject, learning by observation and experimenting. Neocamera already includes reviews of several photography books. Now, Neoluminance joins Neocamera to showcase travel photography.

Innovative – Sandisk SD Plus

Thursday, April 19th, 2007

Memory cards are a commodity now. They are cheaper than ever and there are lots of companies that make them and even more that sell them. In a domain where competition is mainly focused on price, it is rare to find standout products like the Sandisk SD Plus memory cards. What is special, and particularly useful, of a Sandisk SD Plus card is that it has an integrated USB connector.

The integrated USB connector, accessed by folding the SD Plus card in half, makes it possible to take this SD card from the camera directly to a computer’s USB port. No card reader is required, only a standard USB port. Compared to connecting a digital camera to a computer, it is more convenient. Not only does it save power, but it also saves having to carry a USB cable for the camera.

Sandisk SD Plus

Even those without a digital camera can find an SD Plus card useful. The builtin USB connector makes this one of the smallest USB drive available. Some SD Plus cards ship with a special key-chain which serves to hold, protect and carry the SD Plus card outside of a digital camera. In terms of value, there are lots of cheaper SD cards, from famous and not-so-famous brands. However, the SD Plus cards belongs to Sandisk’s high-performance Ultra II series which features an official specification of at least 9 MB/s write speed. In practice, we measured the write-speed through the USB interface to be 1537 KB/s and the read speed to be 6858 KB/s. Another factor to consider is that SD Plus cards currently come with a lifetime guaranty from Sandisk.

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Long Live Digital Photos!

Thursday, April 5th, 2007

For most people, photographs represent memories and, as such, they are precious and irreplaceable. We tend to look at our photographs shortly after we take them, to show them to family, friends and the online community.At that point, most of those memories are fresh in mind. Years, or decades later, we look at them again. This time, the memories are not so fresh and we would like to count on our most cherished photographs to be there for us. It is no surprise then that the question of how to best preserve photographs gets asked so often

Before the days of digital photography, images were mostly preserved in albums or boxes. Some people also preserved the negatives. Nevertheless, storing prints and negatives is far bulkier than storing the equivalent digital photographs. While a single Dual-Layer DVD can keep over 8,000 images suitable for printing, it would take 20 large albums to contain the same amount of images. If you store larger images on the DL-DVD, less images will fit but the same is true if you put larger prints in the albums.

Albums

In practice, neither digital photographs nor prints last forever without care. Prints may take up space but they are harder to accidentally destroy since they are immediately recognizable. I mean, it is easier to throw away a CD or DVD, not knowing what it contains, than a box of albums. This will probably be especially true when they will be passed on to future generations. In 50 years, how many people would even have a DVD drive? It will probably be an archaic device by then. On the other hand, without duplicates or negatives, printed memories can be destroyed during a disaster. Since prints are immediately viewable, prints do not become obsolete. They may become unrecognizable but that takes hundreds of years if properly stored and printed on good quality paper.

Digital photographs can last forever with every detail intact. I say can because achieving that requires on-going effort. I’ve heard numerous stories of people losing all their digital images to a crashed hard-drive or to a house fire. Digital photographs themselves are far easier to lose than prints. Studies also show that optical media has a limited life-span and that even if the media is nor lost nor destroyed, it may become unreadable within a few years. Quality media can greatly help with longevity but does not protect against obsolescence.

To successfully store digital photographs, you must:

  • Replicate: Digital images must be stored at a minimum of two locations to protect against disaster.
  • Rejuvenate: Every few years, digital images should be copied bit-for-bit into fresh media. This should be done to protect against degradation of image data. Having two copies helps here too since they are unlikely to develop errors simultaneously.
  • Upgrade: When your current storage media becomes less common than some newer media, copy all your digital images into the new format. This may require a software conversion if your image file formats gets old too
  • Avoid proprietary technology: Always store digital pictures on a commonly available type of media. If your media-reader breaks down and the manufacturer no longer exists or no longer makes the readers, the chances of recovering your images are slim.

In sum, keeping digital images alive takes some effort which has to continue with future generations. Prints, however, can cross generations with much greater ease, although eventually they will fade. What to do, depends on the effort that will be put into them.